Artist Statement
The transition of moments in which absence and presence coexist within a non-linear connection underlies my interest in how humans interact with space and how experience transforms over time. Within the reflective relation between artist and spectator, interpretation operates without fixed boundaries, positioning the artwork as a shared space for open exploration.
Each artwork, in some way, is unintentionally a reproduction of a previous work, forming a cycle of image-making within a loop of existence. Within this process, there is no permanent self, only ongoing transformation through developing repetition. Origins are not solely located in the past but persist in the present, while the future unfolds through repetition with difference. My practice investigates repetition as a condition that reshapes visual language, challenging the expectation of fixed meaning in art. I treat artworks as a ground of multiple activities, operating through repetitive connections rather than linear progression.
I regard my artworks not as objects, but as events that operate through subjective experience. My intention is to engage through repetition with the infinite possibilities of image-making. Within the space of artworks, forces operate beyond the artist’s control—particularly in relation to interpretation—allowing meaning to remain open, contingent, and unresolved through the experience of both artist and viewer.